The Fierce Heat of Living

(Inspired by David Whyte)

How do I survive in the fierce heat of living?
by taking her hand within my own
and dashing across the stalemate parking lot
on our way to our next adventure,
plucking up her sisters (trapping their
thrilled screams in boxes)
to ride a bike behind my new two-wheel rider,
to ride a plastic horse for a penny,
to choose another fantasy from the library,
everything free (almost free)
just like the way life was, once,
before we knew better.

How do I survive in the fierce heat of living?
by taking her hand within my own
and dashing into the blue moon night
on our way to our next adventure,
plucking off our clothes (trapping their
tangled mess in piles)
to scream out into the darkness
to roll our nakedness in the snow
to choose another fantasy from our minds,
everything free (almost free)
just like the way life is, now,
because we know better.

Six-Penny Happiness

A lackluster errand to the bank
(located inside the grocery store)
seems tedious as I sit in the driver’s seat
of my compact car with three
antsy girls who unbuckle themselves,
scratch the back dash,
bang on the window
as I count quarters that have
spilled out of their paper sleeve
(I lost $1.50 in the depths
of Hyundai oblivion)

They are seven, five, three,
and don’t attempt to contain
the excitement that bursts at
the thought of what is to come:
a free kid’s cookie for each,
a slice of orange meant to entice
paying customers (that they will
suck the juice from and abandon),
and the pennies they’ve discovered
(in their search for quarters) that
will pay for six rides on the horse.

They take turns, maneuvering from
tail to saddle to head to leg,
the shiny plastic horse never
moaning under their ample weight,
and every time another penny is inserted,
a new wave of thrilled screams erupts,
making this six-cent endeavor (this
tedious, hideous errand) worth more to me
(to them) than a million dollars that
I will never have to count (or spend)
to bring them happiness.

Swallowing Our Sadness

After two gloriously quiet hours,
they are ready for the flourless cake
that this time (after multiple envious complaints)
I have made just for them.

They emerge from the family room
after watching The Velveteen Rabbit,
tears streaming down their
reddened-with-sadness cheeks.

“What’s the matter, don’t you want cake?”
Daddy asks, his voice dripping with confusion.
“The movie was so sad.” Sobs erupt
from their throats and trap any more anxious words.

“Really? What’s it about?” he asks, never having seen it.
As I begin to describe the rabbit becoming Real
(Isabella chimes in about the high fever)
their tears find their way into my own eyes.

I look at the three pained faces of my girls
who for the first time have been touched to tears
by a movie, and I wonder if I’m crying because of
the story or because they’re now old enough to understand it.

Either way, as I slice up the cake
that they take tiny bites of and abandon,
swallowing their sadness with delectability,
I am not able to swallow my own sadness.

Before I have even had a chance to stop time,
I have a houseful of growing-up girls
who reminded me today how precious
every bite of cake, every rite of passage, can be.

Runaway

Red-and-white-striped shirted
Teddy bear in hand
(his name later became Todd),
I threw an outfit into a bag
and stomped out of the house,
walking up the hill to the only
place I knew to go—
the elementary school.

With my bull horns
shining, I didn’t even look back
until I heard the rumbling
of the rusty blue Datsun
and my mother’s
screaming-banshee voice
telling me to get inside.

I don’t recall what the
original argument was over,
just that she had
raised her voice one
too many times that day,
and my six-year-old patience
had come to a bitter end.

At dinner that night,
she tried to hug me
and sternly whispered in my ear,
“Don’t you ever do that again,”
but her arms were stiff boards,
her skin was as cold as the wind on my walk,
her voice was icy glass,
and I knew it wouldn’t be the last time.

February Daughters

Riona

You were getting into bed last night
still waiting for us to cover you up
when you told me a story,
your three-and-a-half-year-old
version of a story

“I had to get my piwow
and then I saw that Snoopy wasn’t
he-ah, so I got Snoopy and
put him down they-ah,
and it’s my Snoopy not Isabewa’s
she thought he was hers
but that one’s mine.”

And I realize as I write this
that I have a poet
for my youngest daughter,
and if not a poet,
a poem.

Mythili

Holding your stomach all
through the crowded mall
you let me know
it was time to go
you rushed to the van
holding out your hand
“I need my blankey
I need my blankey”
the door opened wide
and you dashed inside
five minutes couldn’t pass
with your eyes turning glass
your fingers curled silk
like it was mother’s milk
your lids relaxed
sleep came fast
and all was calm in Mythili land
because of the blankey in your hand.

Isabella

Turning seven to you
means a tea party
filled with pink cupcakes
and a houseful of girls
daintily sipping from china cups
only to abandon the table
for screaming pursuits
of chopped-up white snowflakes
foam doilies and spilled glitter glue,
cat chasings and scavenger hunts
whose competition almost drew blood
a smile on your face
as you hand out goodie bags
blow out your candles
and remark more than once,
“Three hours is not long enough.”

Happy birthday my love,
my first child
whose energy fills our lives
for every waking moment.

On Valentine’s Day

here we are
in our pajamas
munching on
leftover tea sandwiches
(mozzarella tomato,
tuna salad,
strawberry cream cheese)
before six o’clock
on Valentine’s Day

just hours beyond
a house filled with girls
in dress-up clothes
(dresses with puffy sleeves
and hems at the ankles)
who sipped from
white china cups
and licked pink
cream cheese frosting
off heart-shaped
red velvet cupcakes.

there are five of us now,
poor Daddy outnumbered
(even the dog is a girl)
and we share a box
of chocolates for dessert
given to our oldest daughter
(who celebrated seven years today)
by her boyfriend,
each girl picking out
a different fruity flavor.

and I think, as my youngest
takes a bite she doesn’t like and
brings her chocolate to my lips,
how unromantic this is,
yet
so very filled with love
on Valentine’s Day.

Gorham Pageant of Bands

Growing up in a small town can have its magic moments of freedom, like never having to worry about locking your door, visiting the town store so many times that the owners know you by name, or being able to stay up until the bats come out while you play cops and robbers with the neighbors. But the excitement of crowds and city life always enticed me as a child, and it was something I rarely experienced firsthand, except just once a year, the most magical day of the year for my small town of Gorham, New York.

The Pageant of Bands.

This event encompassed my desires for thrills, happiness, and excitement so much that I would prepare for its arrival months in advance and still be talking about it for the rest of the summer. While I didn’t play any instruments myself, having all the high schools from the wider rural area come to our town for a parade/competition meant nothing less than a day of thrills. For once, our town had vendors come in selling everything I always wanted and my parents never bought for me: hot dogs, corn dogs, cotton candy, snow cones, ice cream, fried dough, nachos, curly fries smothered in cheese, and souvenir items like balloons, banners, and flags. To my town, my little Podunk town where the other most exciting event that occurred was the annual volunteer firehouse pancake raffle.

Each year, upon the approach of June, my neighbor, Jen and I would save every penny we could—we’d collect cans we found in alleys and ditches, turning them in for five cents apiece, save change left over from purchasing our lunch, and sacrifice our measly allowances, normally set aside for buying whatever allotments of candy and push-up ice creams they sold in the store, so that we would have money to spend at the annual Pageant of Bands.

The morning of the event, I’d be up at dawn, scouring the streets for any sign of life. As the school buses and event vans poured into town, parking in the school lot at the top of the hill on Main Street, I had my money and my autograph book ready. Jen and I would meander through the uniformed band members, admiring their bright gold medallions, their tassels of every school color ranging from hunter green to maroon, their hats that looked like white mockeries of top hats, their glistening leather boots and pants that appeared to be born perfectly folded, and collect signatures.

For some reason I had grown to love the band from Waterloo, and I always started with them. At age eight, I didn’t seem to grasp the fact that these bands represented high schools, or the age was far too distant for me to fathom, so I admired them as much as if they were Hollywood movie stars. Every year I was greeted with surprise bouts of glee as they signed my autograph book, and thinking back on it now, I don’t know who was happier about the whole thing, them or me.

After we’d made our rounds with the bands, we’d meander through the tables and stuff ourselves with the wares that were magical. My personal favorites were snow cones and cotton candy. I would suck all the juice from the snow cone and crunch on the ice as the bands began marching by, pounding on their drums, belting out glorious tunes on their trumpets, tubas, and trombones, and keeping the perfect alignment of steps as they smoothly made their way up the hill. By the end of the event, my snow cone had melted, and I would begin working on my cotton candy, pulling small tufts into my sticky fingers, creating little cubes and popping them into my mouth, luxuriating on the sweet, grainy satisfaction as the cotton slowly dissolved on my tongue.

The Pageant of Bands ended the school year and began my summer. It made me and everyone else I knew in the town feel that, for once, the spotlight was on us. Years later, after moving away and living the exciting city life that I’d always dreamed of as a young child, I can still hear the beat, feel the momentum building, and relish in the smooth movements of the bands as they marched up the hill, marking the new season and my heart with their music.

Grandma (One Day is Not Enough)

I know you’re still here but I’ve already lost you—
you are not the same person who handed out hugs
as if your arms couldn’t function without being around us;
you argue now like an obstinate three-year-old
and spout words that sting till tomorrow’s sunrise,
though by then you’ve already forgotten them.

I miss those days when I’d curl crying in my bed
swallowing the salty remarks my mother had thrown at me
and being able to wipe away the tears only
because I thought of you, kisses bursting from your lips,
taking us to the beach, asking us what we wanted
for every meal the week before we arrived,
sharing your own tears on my cheeks when we left.

Every summer you took us shopping at the best bargain stores
and outfitted us in the newest styles for the school year
and taught us how to pick parsley and basil from the herb garden
and how to sauté garlic, onions, and carrots for the marinara
and how to boil steamers for just a few minutes,
then dip the clams in butter and let them slide down
our throats, their taste lingering of the sea you’ve always loved.

We exchanged letters for years, your scrawling cursive writing
filled with your beliefs about my schooling,
my boyfriends, and your Catholic upbringing,
touching my heart with your love just as much as
the gifts and cards you sent for my birthdays
all the way into my adult years.

I know you’re still here, but I’ve already lost you
and when I think about the phone calls I forget to make
or the confusion in your voice when we speak,
I recall my childhood, your ever-affectionate presence
the sweet happiness that I forever longed for,
and though I feel old and alone and sometimes lost along with you,
I still carry your Italian black hair on my head,
your sauce recipe in my memory,
and the remnants of your soul within my soul.

My Grandmother’s (Ever)last(ing) Gift

I baked another magnificent concoction—a blackout chocolate cake—that was received with rave reviews and status updates and insistences that it was the best cake anyone had ever tasted. Having tasted only the frosting and a few remaining crumbs myself, I couldn’t understand what the fuss was all about.

But then I remembered the flour.

I grew up in the kitchens of my mother and grandmother. My mother taught me how to can vegetables and fruits, how to prepare a simple, healthy meal with meat, a starch, and a vegetable, and how to clean the kitchen, scrubbing every pot and wiping behind the sink and ringing out the rags after their scorching water rinses. My Italian grandmother taught me how to make marinara from scratch, first sautéing garlic, onions, and carrots in olive oil, then dunking fresh tomatoes in boiling water to remove their skins, then mashing them up with a spoon and adding them, with a six-ounce jar of tomato paste, fresh basil, oregano, marjoram, and parsley, to the pan. But it didn’t stop there. She showed me how to roll out dough for pasta and crank it into shapes with her metal hand pasta maker. She taught us both (my mother and I) what temperature a pot roast needed to begin at and how it should come out in the end. With wrinkled hands and bouts of passing out kisses between measurements, she showed me how to cook like an Italian: from scratch.

Growing up, the only things my mother ever baked were chocolate chip cookies or birthday cakes, where we would walk through the aisles of the grocery store picking out our favorite flavored mix and frosting. She knew just how to frost a cake with her thin metal spatula so that it was a work of art every time.

But it wasn’t until I was a grown woman with a baby of my own that I learned from my grandmother how to bake. She flew in on a surprise visit for my father’s fiftieth birthday. It was the very end of 2003, one of the most emotionally turbulent years for my family. In the course of eight months, the first great-grandchild, Isabella, came into the world, followed closely by my grandfather’s death, and then, before even catching a breath, my great-aunt Frances (who taught my mother to cook) and my grandmother’s mother, the original creator of the magnificent sauce and noodles, both passed away.

So I was surprised when Grandma called, begging me to arrange the plane ticket out of New York so she could surprise my father. She was always thinking of someone else, even in her time of turmoil. When she arrived the day before his birthday, she had a menu in mind. We woke up early the next day and headed to the store where she insisted on certain brands for every product, whether it was tomatoes, chicken, spices, cocoa, pudding mix, butter, champagne, vegetables, and, finally, the flour.

“You can’t bake a cake without King Arthur flour.”

We came home and read the recipe (already in my cookbook) for chocolate cake. She worked on the frosting—also made from scratch (who knew frosting was simply butter, cocoa, powdered sugar, and vanilla?)—while I mixed together the ingredients for the cake. I was shocked: all it took were eggs, sour milk, flour, butter, sugar, cocoa, baking powder, and baking soda. I thought about all the ingredients listed on the back of the cake mix box and it made my stomach churn. Meanwhile, Grandma mixed up some pudding for the middle of the cake—also something I never would have thought of.

When my parents came over for dinner that night, thinking that I had prepared a simple meal, they were shocked out of their minds to see Grandma at our house. Everyone sat down to enjoy one of Dad’s favorites—chicken cacciatore prepared with those delicious tomatoes Grandma picked, delicious Italian bread, and a side of peas and onions sautéed in olive oil. But the cake? What can I say? It took the cake! Hands down, it was the best cake I had ever tasted. Was it the flour or the fact that we didn’t use a mix? It didn’t matter—I was hooked. I repeated the recipe six weeks later for Isabella’s first birthday, and year after year, using that flour and a variety of different flavors, we have had nothing less than a series of delicious cakes.

The King Arthur flour bag had become a staple in our kitchen, and by chance one afternoon I read the recipe for “The Best Fudge Brownies Ever.” An eternal chocolate lover could never turn down such an insistent advertisement, so I shopped for what I would need, in particular Dutch-process cocoa (dark!) and dark chocolate chips, and tasted once, and a hundred or more times since that first bite, the most scrumptious brownie anyone could ever imagine.

That is the cake and those are the brownies that got me hooked on baking. Before we knew it, we were using the flour to make homemade pancakes, breads, and pizza dough. But it wasn’t enough to share it with my family—the world needed to taste the creations derived from this flour. Soon brownies became a weekly event, a special treat for me to take to work and share with coworkers, whose everlasting delight has included thank-you notes and bags of flour, sugar, and chocolate chips in my box. Throw a few cakes in and the happiness breeds itself in a workplace that is weighed down with stress and financial insecurities, making everyone feel, for the moments that they indulge in these desserts, that life is still a gift.

My grandmother, after that visit, began to deteriorate rapidly. She stopped cooking, baking, and is almost to the point of having to be forced to eat. Suffering from Alzheimer’s now, she will soon enter an assisted living home. Even though the average grocery store customer, while in the baking aisle, might think all the flours will create the same results, I will always remember what I consider to be my grandmother’s final, most precious, kitchen gift: the King Arthur flour that has brought pure love to all the people who have ever brought a taste of its creations to their lips.

Trees of Our Childhoods

It’s all about the trees. The easily climbable red maple in the front yard at the edge of the driveway, the giantess silver maple next to the house that shaded it all summer, whose branches could never in an eight-year-old’s wildest dreams be reached, the one that hung the tire swing for the whole neighborhood to play on. The two white pines along the back of the property that reached up to the heavens, saved me from having to mow under them, and never complained when we bolted plywood along an upper trunk to create a sap-induced tree house. The ginormous fir in the side yard that stood next to our ever-present volleyball/badminton net—yes, the one that swallowed up not only the birdies but then the rackets that we tried to knock them down with, and then even the basketball, until I would be forced to climb halfway up and retrieve our game. The three apple trees at the edge of the vegetable garden that made pies and tarts and applesauce that lasted all winter. Even the stump of the giant oak whose fertile remnants grew into a flower garden. These trees filled my childhood with their variety, their strength, their steadfastness.

Even now, years later, I cannot imagine my life without trees. As I look out my front window, I catch a glimpse of the silver maple shading our yard, peek out the back to see the two ashes that keep the grass from drying up, especially the one that Isabella already loves to climb and that holds the clothesline that we use all summer, and the small crab apple we planted ourselves after Riona’s birth, marking our family with another generation of trees that one day my children will always remember.