art intercepts life
on a cloudy Denver day
at the museum
social justice rules
when we create from our souls–
pen; paint on canvas
after a long walk
The Nightingale finally ends
(leaving with sorrow)
sorrow chases steps
across the gray of our lives,
of this cool spring day.
but i still find hope:
in neighborhood yard signs,
girls getting along,
in the purring cats,
the moist grass that begs to grow,
the chances that wait,
in my daughters’ eyes,
and the fight we all must fight
till tomorrow comes.
the canvas denied
(i forgot the calendar)
and now she’s alarmed
is how Thursday’s doomed to end
(until humor comes)
thank god for sisters
who constantly entertain
(our family of friends)
rough waters ahead
but my blue sky school background
will keep us afloat
even escapes bleed
with guilt-ridden winds of snow
that just can’t ice him
Red hair, green eyes, tall and sure of himself, he peeks into my room, searching for a familiar face after lunch. I have seen this look before, as my students often seek their native-language counterparts.
“Who are you looking for?” I ask, the after-lunch crowds raucously meandering around our conversation.
“I am looking for you. I am a new student.” His accent is smooth and meticulous, genteel and articulate.
“Oh, OK. What’s your name?”
“Where are you from?”
“Iran? … And… how did you get here??” But I have to look away because the tears are already in my eyes.
“I boarded the plane on Friday morning. I was in the last group of Iranians to come.”
I want to continue the conversation, but I can’t. I can’t because the tears will fall. I can’t because I have to teach for the next ninety minutes. I can’t because every waking moment of my life since this election, since this inauguration, have become a cycle of servitude. Of serving this need or the next, of wishing for this and receiving that, of hoping for the best and seeing the worst.
Instead I tell him where to sit and hand him a hard copy of I Am Malala. We will listen to the lilting Pakistani accent from Audible today as we continue to highlight human rights violations from the Universal Declaration of Human Rights (we will highlight thirteen incidents in three chapters; we will connect media suppression and fascism and women’s rights to an education too closely to our lives; we will hear Fazlullah’s rants with an American accent).
My weekly volunteer returns from the library after a time with a group of students. She meets with my Iranian student to explain to him his role in the group as they create posters connecting Malala’s experiences to the UDHR. He fits in well and tells the group he cannot draw very efficiently, so can he please have the role of interpreting the quotation from the chapter and connecting it to the UDHR document?
He has been here for five days. He got in on the LAST PLANE.
After class, my retired-white-woman volunteer asks, “If he just got here from Iran, how come he can speak English?”
And that is when I decide.
I have to start here. Right in this moment. With this woman who drives one mile from her upscale mansion in Cherry Creek North to “make a difference.”
“Pretty much all of the students who come here learned English before they came. Usually only the refugees have interrupted schooling. But most countries start teaching English when the kids are in kindergarten.”
I swear her jaw drops ten inches. She wants to say something, but she doesn’t have the words to describe her ignorance.
And now you know, I want to say. But I don’t. I don’t cry when I want to, because I have to be strong for them. I don’t tell her that Trump’s America is not my America, not Arvin’s America. I don’t tell her that the combination of students in this room represents the values of our country better than most Americans I know. That a red-headed Iranian entering my classroom five days past an executive order banning Muslims is as beautiful to me as Ziauddin’s tears in the New York Times documentary as he sees Swat for the first time in three months (which we watch at the end of class).
Instead, I say, “Thank you for your help. I’ll see you next Wednesday.”
And that is all I can do to resist.
All for today.
begin with activism
frosted with ice (years without)
but now winter’s here–
in Trump’s dark shadow
we march for all we have lost,
all there is to lose.
we resist snowflakes
that try and fail to stop us
from the truth we seek
we fight the good fight
in songs, in signs, in speeches
(and one day we’ll win)
since the election,
somehow my days have become
a cataclysmic mix of mundane chores
and tearing my hair out over
what we’ve done to our democracy
it’s the gut wrenching choice
Travis must make as Riona and I
grapple with Old Yeller-–
do I shoot my best friend
or suffer the same fate?
our fate is sealed, well after
the roan bull has staggered onto our property… and Yeller?
his last howl hovers over
a hydrophobic nation
God save us all.
once i wrote poems
without counting syllables–
rather, counting moments
that trickled through my mind
throughout the weariness of days,
with little money and lots of hope,
and now it’s little hope and lots of money,
and the twists and turns of reality click in
until i feel i can only control counting syllables,
and one haiku at a time record my days,
the in-between lines lost years later.
once i wrote poems
to put inside stories
that would spill from my pen with
lyrical language and little plot,
so similar to the mundane of everyday life,
when snow spins our tires and meetings suck our days and relationships wither with wear,
and i wasn’t afraid of the words
i so diligently drafted.
but i learned to count.
to be more cautious with words.
seventeen. now. then.
i want art to win
to remind us of our past
not steal our future
our hope gets swallowed
behind headlines; dictators
costumed by deceit
i want art to win
for every imagined star
hooked by my daughters
for these costumed shells
to bring beauty back to us
before it’s too late