loss
Bites and Pieces
There isn’t a photo today, unless my mantra-cup, “Bless This Hot Mess” can be my actual mantra. There is a meal, a beautiful meal that New York Times Cooking thinks a regular person can make in forty-five minutes. A meal that involves chopping then roasting cashews, skinning then mincing fresh ginger, garlic, chopping a bell pepper into bits, washing rice, slicing two-inch sections of green onions, and preparing cilantro. Also cutting and cooking chicken before the oven part. I don’t have a photo of my youngest and my husband and me, making a mess of this kitchen before I cleaned it, trying to make this meal in forty-five minutes between the three of us.
I just have this. This meal to eat while we listen to and argue about Bruce Springsteen (The BOSS) and discuss our days.
Oh, our days. Bruce was under pressure to change a card (a card as big as a board game and twice as heavy), Rio was under pressure to meet her social and familial weekend obligations, me under the pressure of society to not tell a student’s caseworkers that her foster mother isn’t good enough because.
Because there are no more foster mothers available. Because it isn’t horrible enough that her mother was murdered by the Taliban, and that she’s living in a home that doesn’t recognize or celebrate her culture or speak her language, because she may never see her brothers and father and baby sister again.
It isn’t enough. It is never enough. The crying, the screaming, the desire to be perfect, the accusations, the pain that seeps through every word, the trauma that breathes through every breath.
I wish I could just change a too-heavy card, or balance my sleepover with my obligation to my grandparents, or just be a kid or just be a human who doesn’t have to carry the weight of all these humans.
But I can’t. I can’t cook this meal in forty-five minutes, NYT Cooking, and you should stop lying to people. You can’t bring your mother back, and you should stop lying to people. You shouldn’t make false accusations, and you should stop lying to people.
People who could lose their jobs, their lives, and all the love they’ve given in twenty years of carrying the weight of these kids. People who put on a musical rehearsal of Beauty and the Beast just so my poor kids could see it. People who spend half of their summer taking your kids to every place they could ever imagine because they couldn’t see those places otherwise. People who love your kids as fiercely as you do and for some reason you can’t see it,
You can’t see me.
What does it mean to be a teacher in the twenty-first century? It carries a weight that you can’t imagine carrying because nothing, nothing is more enticing than a 24/7 entertainment device that every kid carries in their pocket. Nothing is more enduring than teenage love or parental defense. Nothing matters more than a grade. Nothing compares to the TikTok video or Instagram caption–not a cultural connection, a passion for language, or a pile of free clothes.
It is like this meal. Sticky rice coconut chicken. It has everything: cilantro, ginger, coconut milk, basmati rice, a yellow bell pepper, garlic minced to perfection, chicken broth, scallions, hot sauce, a dutch oven pan that fits into the best-ever toaster oven, a bubbling bite with perfect spice… Everything.
But it’s a lie. It’s not a Wednesday night meal. It does not take forty-five minutes to prepare.
It takes years, twenty years of patience and a pinch of forgiveness to make this possible.
And you can taste it in every bite. Every bite that you put in your mouth and every bite that bites you back.
Taste it. The creamy coconut, the sriracha, the beauty of the world swirling in the rice.
And bite back.
Young Artists
January Does End
Paint It Purple
As Bright As Snow
Bright, Beautiful, Blighted
More than a Milestone
getting her to here
after COVID/grief trauma?
a grin worth winning
Road Trip 2022, Day Ten: Gaps
through Cumberland Gap
we drive down to Tennessee
and stand in three states
it’s been many years
(the gap between visits here)
and everything’s changed
Pappy’s room is new
with the antique furniture
from their grandparents
a whole new kitchen
to fill Donna’s empty nest
with the light of love
this generation
will take the time to teach them
and fill in the gaps
they’ll learn who came first,
what they fought for, what they lost;
close gaps, open eyes
For Kevin
Dear Family,
It would be impossible to encapsulate in words Kevin’s indelible impact on everyone he met in life. I was lucky enough to know him as a young man—really a fearless, jubilant boy—who knew how to bring vivacity into every room. Below is an entry from my personal journal written when Kevin was about to graduate from DSA.
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Thursday, 13 April 1995
It was Kevin and Hart (DeRose)’s senior showcase, a play called “On Tidy Endings” that the two of them wrote, directed, designed the set of and starred in. It had only two other minor characters, Wes (Zelio), and Elizabeth Horwitz. It was the story of a man who had died of AIDS, and it had Kevin playing his lover and Hart playing his ex-wife.
Their confrontation in his boxed-up apartment. I will never be able to even begin explaining how powerful that was, so I won’t even try. Let me just say that it was the best performance ever at DSA, and the best performance I’ve seen anywhere—on TV, the movies, or the theatre—since I first saw Dances with Wolves.
Kevin has grown up so much that I almost can’t believe he’s the same person I saw four years ago dancing a South Pacific scene with a hula skirt and coconut breasts. Kevin. I cried at the end, first for the characters in the play—their lives, their pain—it all affected me so much. And then I cried because I realized all too quickly, all at once, that he’s leaving, that soon the first graduating class of Denver School of the Arts will be gone, that soon that will even be me, me having to say goodbye, and now they’re leaving, and everyone leaves, and it hurt so much, but it was a good hurt, a cry that was filled with laughter and smiles, tears that were filled with hope and pride.
Standing ovation and then a room full of sniffling noses and unquieted sobs, everyone hugging each other, everyone loving each other like family, like a family that could never, by any means, be torn apart. I could not stop the tears from flowing down my cheeks for a long while, not until after we all eventually shuffled into the community room, not until after I hugged Cheryl and met Tad, not until after three glasses of punch and a piece of cake, not until after I hugged Devin, not until after Kevin signed my program, not until after talking to Olivia about senior year, not until after the toasts of many loved ones, not until after the pain of losing became the everlasting hope of gaining.
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Kevin will always have a place in my heart. He was a genius in every way—through acting, writing, singing, and, most importantly, loving. He loved everyone in his life, and he will always be loved. I feel so fortunate to have known him and shared so many moments of joy and sorrow, whether we were out to lunch at the back booth of Pete’s Kitchen, sharing a shake at Gunther Toody’s, dancing in Cheryl’s living room for her sweet sixteen, or singing all the songs we ever knew while riding in a horse carriage downtown.
Every memory is sweet, precious, and filled with love. And I will cherish him forever.
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