Interception

art intercepts life
 on a cloudy Denver day
 at the museum
 
 social justice rules
 when we create from our souls–
 pen; paint on canvas
 
 after a long walk
 The Nightingale finally ends
 (leaving with sorrow)
 
 sorrow chases steps
 across the gray of our lives,
 of this cool spring day.
 
 but i still find hope:
 in neighborhood yard signs,
 girls getting along,
 
 in the purring cats,
 the moist grass that begs to grow,
 the chances that wait,
 
 in my daughters’ eyes,
 and the fight we all must fight
 till tomorrow comes.
 

Coming Home to Hope

On a rainy October day when I was a child, my parents stopped in a small Massachusetts town on our way home from my uncle’s ski lodge in Vermont so that we could visit a Norman Rockwell exhibit. My mother had always loved growing up and looking at his realistic paintings on the covers of The Saturday Evening Post, and he had spent some time in the town where they were hosting the exhibit.

That weekend was one of the few where we were invited to pretend, via a fancy ski lodge in Vermont that boasted a sauna and private pond, that we were rich. We’d met our extended family there: aunts and uncles, cousins and grandparents. The kids all slept on mattresses in the loft, the adults took one of the four bedrooms, and my uncle took the owner’s apartment with a separate entrance at the bottom of the house. We’d play in the woods, race around the pond, braid our hair on the deck, and enjoy an array of delicious food that each family contributed to.

And then we’d drive home to our house in upstate New York, away from it all–the pond, the food, the family… the wealth.

But on that particular Columbus Day, after meandering through the Rockwell exhibit and google-eyeing all the paintings, my mother and father hemmed and hawed over one of their favorite prints: Homecoming. It sat in the gift shop at the end of the exhibit, covered in glass, matted, and lined with a simple silver frame. I don’t remember how much it cost; it may have been $20 or $100, but no matter the amount, it was too much. We didn’t have extra money for luxuries like this–art for the wall??–when we were driving a 10-year-old rusted out Datsun across three states for a weekend getaway provided by my rich uncle.

“What do you think?” my mother asked.

“It’s up to you,” my father responded.

And so the print was rung up, wrapped in brown paper, and carried across the shiny black parking lot through streaks of rain. My mother carefully stacked it atop our possessions at the back of the Datsun and we weaved our way through northeastern storms back home.

As soon as the painting appeared on the wall in our living room, I became obsessed with it. The details. So many faces!! How could he fit so many faces into such a small painting? The redheaded family with open arms, welcoming their WWII soldier home. The old brick tenement and naked trees filled with dirty children. The multi-sized shirts and shorts hanging from the line. The girl pressed against the corner wall, ready to surprise him. The gratitude in everyone’s eyes after the weary war years.

I used to try to count the people. 19? 22? 20? There were silhouettes hidden in the shadows of the apartment’s windows, and it was difficult to determine exactly how many there could be. Homecoming became an ongoing mystery: How did he paint this? How many people did he mean for there to be? How long was the boy at war?

My grandfather, a mostly silent and grumpy man, had survived that war. Was his reception like this one–so filled with emphatic joy that all would be forgotten?

I doubted it.

I saw everything in that painting. The desire. The poverty. The hope.

It hangs in my house now because my mother tired of it, earned more money, moved on to different art, and because she knew how much I loved it as a child.

I pass by it on my way out the door in the morning. Sometimes I play the game with my girls–how many people are in the painting? It witnesses all our guests, all our arguments, all the laughter and joy and chaos that are our lives.

And in these ominous days since the election, it bears witness to my hopelessness. I fold laundry and cook dinner while listening to The Nightingale by Kristin Hannah, one of the many books I have read about WWII. This one has yet another perspective–that of the takeover of France and the secret groups that defied the Nazis to try to stop the war. It focuses on women–women who had to host German soldiers in their family homes while their husbands were prisoners of war. Women who took risks to save the lives of fallen RAF British pilots. Women who had to wait in line for hours for food rations. Women who had to turn in their radios–their only communication with the outside world–and be prisoners in their own homes.

I think about, walk by, and examine Rockwell’s painting as I listen to Hannah’s words. As I remember that dreary day when we bought the print, knowing my parents’ meager salaries couldn’t really afford it. I imagine what it must have been like for my grandparents, living through the daily sacrifices that encompass a war.

I imagine what it might be like for us. As news floods in daily with human rights stripped away piece by piece, with constant comparisons to Nazi Germany, how can I avoid it?

How can I not put myself in that painting, arms open, ready to welcome home my long lost soldier?

Will there be a day in my lifetime that I am there, really there? Maybe one of the silhouettes in the back corner of the window, ready to finally come out?

Will there be an end to this madness that is only just beginning?

Will our country, our people, our democracy, ever have a homecoming?

I cannot answer these questions, just as I cannot accurately count the number of heads Rockwell painted. I can only guess. I can only imagine.

I can only hope that our homecoming is just around the corner, just like that redheaded girl, waiting for her savior to wrap his arms around her.

mj13_rockwellredheads_9450526_600dpi_nomast-copy

What Sundays Have Become

Nearly nineteen years into our marriage, it is time for new furniture. A friend came over the other night, and as the girls piled onto my lap on the sofa claiming their right to me, the wooden leg busted underneath, exposing the reality of its twenty-year-old, hand-me-down state.

Hence, Bruce and I spent four hours today driving between stores, researching cat-scratching deterrents, and deciding on a leather reclining non-power furniture set… that we didn’t buy.

Instead, we continued our twenty-first century journey to the grocery stores. We bought the usual to feed our family of five: avocados and cilantro for our weekly need for fresh guacamole, bananas, apples, and clementines to fill lunch bags, chicken and sushi to make our dinners.

And something more: a stockpile of nonperishables. Beans. Pasta sauce. Brown rice. Cans of soup. Tea. Flour. Canned tomatoes.

Yesterday, my husband of nearly nineteen years and the man so nonviolent that he cringed at the idea of actually killing an elk the one time he went hunting, told me he thought it might be time to buy a gun.

Today, we decided to save our $2000 on furniture because we might need it to stock up on food and provisions before the coming of the war that inevitably will destroy our democracy.

This is what Sundays have become. There is no joy in errand-running, no hope for a new living room set. There is the impending doom of a future that none of us can predict nor look forward to. There are three girls in our home whom I fear will not have a future at all. There are tweets and executive orders and absent investigations and jaw-dropping obstruction.

Soon there will be food shortages. Rations. Militia.

It is all around the bend as we navigate from city to suburb to city on the highways brought to us by progressivism, searching for what we need today, for what we might need tomorrow.

This is what our Sundays have become: me sitting in my nearly-nineteen-year-old recliner, hoping this marriage, this world, my children, will live to see another nineteen years.

Light the Flame to Start the Fire

when the blue burns through
a cloudless winter lunch stroll
with wilting climate,

when the Man burns through
a seamless presidency
to bring turmoil,

when cookies burn through
the endless Thin Mint requests
as yet unfulfilled,

we must burn both ends,
light the way to heaven; hell;
until truth burns through
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Replenish

best friend reunion
there is never enough time
to really catch up

but to see them play
just like when we were children
(reliving our dreams)

What Will Save Us

let’s not forget art
 whether painted by god’s hands
 or written by us
 
 whether found in words
 from teens’ broken-hearted hugs
 on our Challenge Day
 
 or in the small space
 when the night meets the morning —
 let’s not forget art
 

The Last Plane

Red hair, green eyes, tall and sure of himself, he peeks into my room, searching for a familiar face after lunch. I have seen this look before, as my students often seek their native-language counterparts.
 
 “Who are you looking for?” I ask, the after-lunch crowds raucously meandering around our conversation.
 
 “I am looking for you. I am a new student.” His accent is smooth and meticulous, genteel and articulate.
 
 “Oh, OK. What’s your name?”
 
 “Arvin.”
 
 “Where are you from?”
 
 “Iran.”
 
 “Iran? … And… how did you get here??” But I have to look away because the tears are already in my eyes.
 
 “I boarded the plane on Friday morning. I was in the last group of Iranians to come.”
 
 I want to continue the conversation, but I can’t. I can’t because the tears will fall. I can’t because I have to teach for the next ninety minutes. I can’t because every waking moment of my life since this election, since this inauguration, have become a cycle of servitude. Of serving this need or the next, of wishing for this and receiving that, of hoping for the best and seeing the worst.
 
 Instead I tell him where to sit and hand him a hard copy of I Am Malala. We will listen to the lilting Pakistani accent from Audible today as we continue to highlight human rights violations from the Universal Declaration of Human Rights (we will highlight thirteen incidents in three chapters; we will connect media suppression and fascism and women’s rights to an education too closely to our lives; we will hear Fazlullah’s rants with an American accent).
 
 My weekly volunteer returns from the library after a time with a group of students. She meets with my Iranian student to explain to him his role in the group as they create posters connecting Malala’s experiences to the UDHR. He fits in well and tells the group he cannot draw very efficiently, so can he please have the role of interpreting the quotation from the chapter and connecting it to the UDHR document?
 
 He has been here for five days. He got in on the LAST PLANE.
 
 After class, my retired-white-woman volunteer asks, “If he just got here from Iran, how come he can speak English?”
 
 And that is when I decide.
 
 I have to start here. Right in this moment. With this woman who drives one mile from her upscale mansion in Cherry Creek North to “make a difference.”
 
 “Pretty much all of the students who come here learned English before they came. Usually only the refugees have interrupted schooling. But most countries start teaching English when the kids are in kindergarten.”
 
 I swear her jaw drops ten inches. She wants to say something, but she doesn’t have the words to describe her ignorance.
 
 “Oh…”
 
 And now you know, I want to say. But I don’t. I don’t cry when I want to, because I have to be strong for them. I don’t tell her that Trump’s America is not my America, not Arvin’s America. I don’t tell her that the combination of students in this room represents the values of our country better than most Americans I know. That a red-headed Iranian entering my classroom five days past an executive order banning Muslims is as beautiful to me as Ziauddin’s tears in the New York Times documentary as he sees Swat for the first time in three months (which we watch at the end of class).
 
 Instead, I say, “Thank you for your help. I’ll see you next Wednesday.”
 
 And that is all I can do to resist.
 
 All for today.

Cookie Crumbles

just a taste of hope
 sweeter than a Samoa
 my small activist
 

Weighing In

Wednesdays have turned into a ritual for Riona and I, as the older two get a ride home from the carpool and she has joined in with her expertise at helping me go grocery shopping (if expertise means begging me for Cheez-its, Naked juice, and blueberries…).

On this Wednesday, five days into Trumpocracy, the weight of it all is heavier than ever before. The two stores, the lines of people at guest services while I wait to buy bus passes, the shuffling of semi-broken carts, the weaving in and out of crammed-too-full aisles filled with Valentine’s candy and magazines and gift cards and everything, it seems, except the food I need to feed my family.

The knowledge that I carry with me now, of stripped healthcare, border wall building, claims of voter fraud, Muslim refugee bans, women’s healthcare denials, mortgage fees reinstated… It makes even the mundane tasks of finding the right brand of almond milk, of selecting a new variety of potatoes, of giving in to the Cheez-it bid, seem heavy and dark and worrisome.

How long will this variety of foods be here? I begin to wonder. How long will this variety of people be here? My darker self asks, as I hear a series of languages and see every skin tone meander through this shared space, this shared ritual of finding food.

At the second store, after I’ve sent Riona off on her own to fulfill half the list while I buy the bus passes, we count our items in the small cart to see if we can shimmy into the “About 15 Items” line behind four other groups. We stand behind them like a crooked tail as carts shuffle past, and slowly move forward to the monotonous beep of the register. As we pile our goods atop the belt, I’m proud of her ability to stick to the list. “Good, you got just the almond milk I like,” I smile down at her, and she grins back, “Of course, Mama. I’m not Daddy.”

A tall blond woman rings us up in a slow, methodical fashion. Riona, who has just finished checking off the last item on the iPhone grocery list, proudly clicks the phone shut and begs to put my credit card into the chip reader. “How does it work, exactly?” she asks excitedly, wholly unaware that my usual no has slipped into a dull yes because my mind is on all my Muslim students from all those countries on his list who will likely never see their extended families again (and not on who’s putting my card in the chip reader).

“Awww,” the cashier coos, “I wish I could be a kid again… although, I had a terrible childhood.”

I look up at her, the pale blue eyes, the straight blond hair, and the hint of an accent. She knows she has my attention now, though of course a line of people still waits impatiently in this express lane, wanting to check out, to go home, to pop open a beer and drink this day away.

“Have you ever heard of the Bosnian genocide?” she asks, and my mind flashes back to my first year of teaching when I had a student whose letter of introduction to me was, when I asked about his childhood, “Only an American would ask about that. Because my childhood was shit. My childhood was war.”

“Yes… I have had students who were from Bosnia,” I reply to the cashier.

“Oh, where do you teach?” she asks excitedly.

“South High School.”

“My sister went there!”

I’m reminded again of how connected our humanity is. She hands me my receipt, I tell her what a great school it is, and I grab the hand of my ten-year-old, whose childhood still lights up by the sushi we always share (unbeknownst to her sisters) before we drive home. Whose childhood is road trips and living in Europe for a year and grandparents who are right down the road and two loving, living parents.

We make our way across the parking lot, and she rams the cart into the speed bump. The eggs tumble to the ground and she frantically looks up at me, ready for the annoyance that would normally be present on my lips.

But I am crying because I don’t care about the damn eggs. I care about the millions of refugees, just like that girl in the grocery store, who won’t be coming here. About the thousands who have come. And the thousands who have been left behind. About the impotence I feel, the numbness that creeps into the corners of my days, as I face this new regime.

“What is it, Mama?” she asks, taking my hand again. I tell her what the girl said about the Bosnian genocide. About the papers Trump is ready to sign. About my first-year-of-teaching student.

We open our crunchy California roll and I put all the wasabi on one piece. She smiles, holding up the bottle of water for me, wanting me to douse it out. “Not this time,” I say, “I want to feel all that fire in my mouth.”

I want to feel something. To feel like I can go to the grocery store without crying. To feel like we live in a place where everyone is welcome, everyone is loved, and everyone is free. Where everyone has the chance to have a happy childhood.

Halfway home, she asks, “Can I have the last piece?”

“Of course.”

She pops it into her mouth and squirms in her seat. “Don’t worry, Mama, I’ll throw the package away before the sisters find out.” She hops out of the car and dances across the lawn towards the outside trash can. “It’ll be OUR secret.”

As usual, she is as happy as a clam. She doesn’t carry the weight of the media, the weight of the presidential pen, the weight of a genocide, as she goes through her days.

She has the gift of a happy childhood. And for now, that is the only weight I want her carry.

“We’ll never tell,” I smile back, the spicy wasabi still sticking to my tastebuds. I can feel the fire in my mouth. And for this moment, at least, I am only thinking about how happy she is.

About how glad I am to have my girls, my home, my school that is a safe haven for all the refugees, for the grocery store filled with a microcosm of the world where a refugee now works, and all the food our family will need.

Because it is something. It is enough. Enough for today.