my six a.m. voice
travels across our heart line
you always speak truth
i wait for her words
though i know they’ll never come
my childhood relived
how I’ve ached for this
flash of your love from a dream
you my new ideal
hidden in moments
these cryptic windows of life
they’ll never find us
To clip your shoes into these pedals, you’d better take that fear you’ve carried around all your life and bury it at the bottom of your heart. It will pound against your chest in a rush of adrenaline stronger than the blinking red light that lines your helmet and warns every car in town that you are on your way, that you will circle into that roundabout with death at your wheels, and that they’d better yield or someone’s getting fucked.
To clip your shoes into these pedals, you’d better keep your mouth closed and your mind open. You will have to stop every few hundred feet for a pedestrian who jolts out between cars, for a light that intermittently changes to red but only for one direction of traffic, and for a society that prefers feet on the ground over feet inside cycling shoes. You may think that the road rage of your previous life has a presence here, but your language is too foreign for their ears to comprehend, and your Americanized version of right-of-way will never fly with this set of Spaniards.
To clip your shoes into these pedals, you’d better learn how to ride the wrong way on a one-way street. Forget smooth sidewalks or bike paths–they are filled with sneakers and strollers. You will need the road at your wheels, your heels, spinning beneath those pedals in its smooth, cracked, gutter-ridden, bus-polluted, fountain-lined surrealistic view of life.
To clip your shoes into these pedals, you must recall your numbers. They will blend together like the apartment buildings, pisos, escaleras, and disappearing miles on a bike computer that has been jolted out of place from so many lockings and unlockings, so that its measurements are lost along with the trail of tears that has carried you across the sea.
To clip your shoes into these pedals, you must forget all the reasons that brought you onto this route and remember all the reasons you will ride your bicycle back home. You are not commuting. You are not joy riding. You are, with every wintry breath you pull into your lungs, the same person you were when the seedling of this cycle first sprouted in your heart.
To clip your shoes into these pedals, you must be yourself. The cyclist. The fanatic. The mother, the teacher, the lover, the poet. All of these rest along that metal incision at the bottom of your shoes, tightened with expert tools, holding you to that magical piece of machinery that is everything you are, have been, and ever will be.
What you have said is true. Just as what I’ve written.
Edited. Cut. Partially me.
Despite everything, castigated for the clipped version I have carried across the sea.
You can still find me though. I am hidden behind these words.
You always have known, better than anyone, just where to look.
stitched by hand,
zippers and buckles,
this item is unique
no matter its origin–
a camel’s back (as you insist)
or the skin of a goat
as the market vendor declared,
it is a thing of beauty,
both in price and worth
i have told you the story
(how it burdens our hearts)
our money laid down for dreams,
some set aside for a moment of gratitude,
of generosity and love
how it hurts to hear
the reality of that purse,
as ungratefully carried
as her coat on that cold, cold night,
where i walked her to the car,
put her purse on her shoulder,
and made warmth where there was none
i cannot bear to think
how precious those dollars were,
the special trip with my mother,
all lost on another drunken night,
washed away with every token
of friendship tucked inside
the zippers and buckles of soft leather
you cannot tell me now
that this deal i have come across
is of no value
it is worth more to me than
the skin off a camel’s back
as soft as Morocco can provide,
lightweight and useful,
my first new purse in fifteen years,
it is my dream materialized,
lost friends forgiven for a new day,
zippers and buckles for every last
desire i have yet to fulfill
It is impossible to say in words, or to describe to students in Spain during my PowerPoint presentation about Colorado, the beauty of aspen trees. They share the same roots, can never grow alone, and plant their seeds in my heart, my home state.
There is a reason people travel hundreds of miles to take that picture in front of the Maroon Bells, the reflective lake picture with the aspens at the base of the two magnificent Fourteeners. It is because of the aspens, their paper-thin trunks, quaking leaves, green-to-gold beauty, their thin branches collecting snow in winter and blossoming in a whisper of shades for spring, summer, and fall.
But I didn’t want the traditional photo. Instead I chose this one, the lens pointed up, our Colorado sky so blue you feel it is a color you can cup into your palm, the leaves at their golden-age pique, ready to burst away from the grove with a gust of mountain air, and the intertwined trunks pointing to the heavens in a singular strength found only in trees.
We are the aspens. All of us, connected at the roots, holding each other up when times are tough, listening to each quake of every leaf, our soft sounds lost to everyone far down in the forest, whose postcard-perfect picture could never capture our connection.
What others see, cameras ready, is the beauty we plainly project: a set of trees along a mountainside, roots clinging to the slope, trying to survive the seasons with the grace that makes us who we are. What they don’t see are the winter nights, the beating-to-the-bone blizzards that shake our interconnected souls, that expose us to each other in a way that a lens could never reproduce.
We are the aspens. We cannot grow individually. We are with each other in this photo, clutching our view of a perfect autumn afternoon. And we are with each other on those dark winter nights when the frost bears down on everything that keeps us alive on this mountainside.
We are the aspens, unlike any other tree in any other forest. Our saplings sprout up around us in a flurry of activity, held tight by our roots that keep us together, that keep us alive, when everything surrounding us would work to tear us apart.
canceled opening
rediscovering downtown
magic Roman port
paperwork finished
official Spain resident
now a paycheck please
¿quieres jugar?
words on wings float through playground
somehow lost on girls
ice cream without spoon
my restless night without you
her words bearing down
unexpected break
work finished, gift of a nap
words of love exchanged
Thanksgiving in Spain
PowerPoint some will follow
others, my words are lost
oven uninstalled
girls translate the missing parts
language their best tool
words keep me there late
every week a new story
culture coming through
view from uphill ride
my city backed by mountains
night ends in laughter
It is no small irony who appears at our door for Mythili’s birthday party. We had warned her beforehand of the possibility of no-shows, and I want to gulp back my inadequacy as a mother. I am not there, I hear myself saying, to chat with the mothers on the sidewalk as they smoke cigarettes and hover near their cars after leaving you at school, to ask, “Can your daughter come to my daughter’s birthday celebration?”
I wonder though, in all honesty, if my schedule didn’t bear down on me, if I had all the time in the world, if I’d even dare for a moment to participate in conversations whose language I barely understand.
So let me put it frankly. The only child who rang our bell appeared with her mother and younger sister, head wrapped in a scarf. No, not the mother, the this-must-be-a-Moor mother. The baby sister.
It wasn’t until hours later, when she stood in the quickly-darkening hallway, the same small girl in tow, that I remembered: this is the girl and the mother I saw disembarking the ambulance in the rain the other day, my frenzied walk home interrupted by the sudden heartbreak of a scarf-wrapped head on a child too young to know this kind of pain.
“Fatima’s sister doesn’t go to school, we don’t know why,” the girls tell me when I inquire about the girl’s age, whether the girl is in Riona’s class, selfishly thinking of my youngest who has the greatest difficulty making friends.
Of course she doesn’t go to school. Her mother, from Morocco, the one who doesn’t speak Spanish? The one who, upon a singular invitation by Isabella has sent her daughter daily to our door for my barely-speaks-Spanish daughter to help this poor girl with her Spanish science, religion, and art homework?
It is no small irony that she is the singular invitee who appears at our door for Mythili’s birthday party. An outcast, a Moor, a Muslim. The epitome of the pitiful look I encounter when I mention the name of the school my daughters attend. Never mind that the Moors settled this land hundreds of years before the Christians, that the glamorous palace people travel thousands of miles to see in Granada is actually of Muslim architecture, that the very name of this city I live in is a blend of Moroccan “Carto” and Latin “Nova.”
When her mother buzzes our bell to collect her child more than an hour after I suggested the ‘party’ would end, I want to speak to her. I want to pull the small child standing next to her into our apartment, to spew out a slur of welcoming words, to let her know that her daughters could appear here any day of the week, that we would welcome them faster than the public healthcare system they traveled across the sea to access, that we are not Christians, but have the heart of Christians.
But, as usual, as the hallway light, on its perfect timer of impatience, flashes from brighter-than-we-can-handle to complete darkness, all I can say is, “Pasa, pasa,” gesturing to our small hallway crammed with our grocery cart, a table, and my American, Chinese-made bicycle, as her daughter gathers her coat, puts on her shoes, and takes in hand the three balloons on Chinese-store sticks that my girls have portioned out for her.
They leave without a proper exchange of words. Without me thanking them to the fullest extent, without their ability to tell me what they wanted to say. A perfect summary of the past three months of my life.
breakfast tray in bed
craves the words more than the dolls
can’t believe she’s eight
wash, treat, cut, and style
nine euros, Spanish freedom
tangle-free curls bounce
café con leche
warm enough to sit outside
a gift of a date
Hello Kitty wrap
princess receives surprise gift
art set opens warmth
one hour together
my time with them so precious
color in our dreams
pedal click in, out
first forget purse, then helmet
next will lose my mind
home to hot shower
never mind the broken door
day is wrapped in love
