Infiltration

i am infiltrated with imagery–
a small town upbringing
infused with adolescent inner city,
torn apart by the desire for more
the desire to make more
out of this oh-so-short life

like drones we clock in, clock out
stay in the same place
and never put our lives on the line
for a new awakening

i put it here now
to step out of Big Brother’s reach,
yet he still watches my every move.
i feel his shadow behind me
mechanically moving my arms,
tearing away my emotions,
like being put in the room with rats

will i step out into the new world,
suck on the bitter gin
and tell him how much i love him
while my soul lies dead
inside my robotic body?

or will i find the forest
–the escape route–
and become the person
i always dreamed i’d become?

That Would Be My Way

to have my life played out in notes–
that would be my way
there is music in the relentless wind,
in leaves that swoop seemingly silent to the ground
in the bubbly laughter of a small child

for me it would be more traditional—
the white piano keys overtaking a room
in a cacophony of melody,
the voice everyone hears and loves in
one swelling moment of listening lust,
notes drawn out in minds, hands, ever-tapping feet,
playing out my life—
that would be my way

to have my life played out in song—
that would be my way
lyrics that cling to my daughters’ voices
and follow them into adulthood,
harmonies holding up the background
of every overly dramatic scene,
the sharp choruses and smooth verses
of songs that soothe me to sleep—
that would be my way

One of Five

If you would like a Spanish visa, begin here.

This is the first photo I have ever uploaded to my blog. Because a picture is worth a thousand words. Because you can’t possibly understand.

This is my living room floor. And one member of my family’s paperwork for a visa application. One.

There are five of us.

This is only ninety percent complete. We are still waiting for the two most important papers of all. The one that says I have a job in Spain. And the one that says we’re not criminals.

We are not criminals. We are five people connected by a thought I had when I was a heartbroken nineteen-year-old freshman in college. The thought? I will teach ESL. I will marry someone. And I will take my family to a Spanish-speaking country so that my children will learn Spanish.

What you don’t think of when you are nineteen: your husband who doesn’t speak Spanish (but will go anywhere in the world with you). Your third child who becomes mute in any discomforting situation. The job you have had for seven years and the colleagues you love so dearly, many of whom you may never see again. The friendships that (head out of shell) you took years to develop, which will deteriorate rapidly upon your absence. The Girl Scout troop that may not exist while you are gone. The grandmother whose hands you can still picture grasping her husband’s back, who may die while you are overseas. The children who will be unlike their peers when they return.

All the praise and forced gratitude and jealousy and pain that you must face every time you speak the word SPAIN.

The financial tally. Life savings placed upon the floor of the home you purchased so proudly at the age of twenty-three, fresh out of college, the floor your husband took out and replaced with his bare and beautiful hands.

When you are nineteen and heartbroken and set your heart and educational future and every belief within your soul on an impossible dream that somehow you have made into a reality, the last thing.

The last thing.

That you want to hear, at age thirty-four, once the paperwork is laid out on the floor, is that you have CHOSEN this. So you must deal with all the pain, the unbearableness, the consequence.

So this? This semi-occupied floor which could never fit the file folder filled with paperwork? It is an image worth a thousand words that will remain unspoken. Because I will never know if my loss will be greater than my gain, or if a giant gush of a wind will blow it all away, just after I have laid out my family’s life for all to see, for all to never forgive me for.

Simplicity

five simple life rules:
work, play, eat, drink, enjoy all
don’t make it complex

Cottonwood Colorado

trees don’t grow on beaches
and they shouldn’t be here
eighty years old
stacked up along the sand
a domineering presence
of the shade i crave

it is June now
and cotton floats in the air
in and out of our hair
our mouths, our pieces of food
a dreamy landscape
of seeds starting anew

i sit for hours
as lyrics drown out
the blue-collar Bud-drinking
daytime neighbors
i could sit all day
my cottonwood Colorado
a dreamy landscape
of all i will leave behind

soon we will breathe
the salty seascape
there will be no trees
only a faulty umbrella
unable to withstand wind
no cotton bleeding with life
no comparison to this life

and will my girls
sassy as ever in their new bikinis
remember what it was like
in the cottonwood Colorado
of their youth?
or immerse in a
languagefoodculture
that blends together
in a different dreamy landscape?

My Last Four Days

this will be my last four days.
i have one cardboard box,
a creekside path,
an empty laptop bag,
and just a bit of my soul
trailing me out the door.

i’d like to leave it open,
for you to say, Come back.
i haven’t asked for much–
and given so much instead,
but you don’t see the notes
i receive from a teacher
twenty years back,
the one who saw the light in me
when i was thirteen,
when i am thirty-four

instead you are blinded by dollars,
hassles, and paperwork
(aren’t we all?)
so much that the dream
that once burned inside you?
it has withered away
into a tiny flame
barely bright enough
to blaze beside my fire

Thirteen Ways of Looking at These Brownies

Modeled after Wallace Stevens’
“Thirteen Ways of Looking at a Blackbird”

I
my grandmother’s hands
sifting the too-expensive flour
to make my father his
50th birthday cake
(the last time she would show me
her Italian kitchen)

II
the torn-apart bag
flour spilling at the reams
and the brownie recipe of my dreams

III
the first bite of brownie
a culinary orgasmic attack
against the tongue
of every sweet i’d
previously put into my mouth

IV
the shy nudge
the first placement
of a brownie on another’s desk
a reach for friendship

V
imagine a bicycle
a saddlebag
a laptop
five pounds of brownies
1029 feet of elevation gain
gratitude at the end of the ride

VI
Thursday evening
sun setting over every season
a thick black spoon
eight ingredients
black brownie mix
as thick as hope

VII
brownie thank-you cards
mysteriously appear in my mailbox

VIII
handwritten notes
begging to be included on
The Brownie List

IX
popping peppermint in at Christmas
and my daughter’s two-month-later birthday
because everyone has a favorite brownie

X
the joy that rests in your mouth
after eating the brownie
and the joy that rests in your heart
after sharing the taste–
they are one and the same

XI
the small hands
that crack eggs
that beg for a taste
that show the mercy of generosity
as together we make brownies

XII
4500 applicants
an ocean
an opportunity of a lifetime
a store without my brownie ingredients

XIII
seven of the best years of my life
a semi-broken heart
and all the brownies
i will never be able to bake

Cheshire Cat

you sit with your Cheshire cat smile
prettily perched on outstretched limb
you seem to love, but all the while
with callous eyes you scan and skim

i have walked a glorious mile
this is not an unsettled whim
please take back your synthetic smile
till you can learn just how to swim

you took me in, and with your guile
filled my faithful cup to its brim
but you can take your Cheshire smile
and slink along another limb

You Are Unforgiven

i told him
FROM NOW ON
i’m writing in extended metaphors
then no one can get pissed
feel left out
never forgive my words

YOU ARE UNFORGIVEN
don’t quote your
classroom time
don’t try to be
the person you are not

the teacher
you are not

it would take
less than one day
less than one hour
to step into that classroom
and see the deepest connection
to students
that you will ever witness
it would take
ten minutes
sticks in hand
plethora of patience
resting on lips
less than the time it takes
for you to compose
the first draft
of your horrific email

I WILL NOT WRITE IN METAPHORS
because you need to hear
that the teachers you claim to support
are fleeing like migrating birds
and soon you will be
in the midst of mediocrity

go ahead
tweet your latest
run out teachers
who know better than you
how to form
the society
you claim to adhere to

Crossroads

every morning
as i come to my crossroads
just after dawn
touches her fingers to sky,
i make my decision–
an uphill battle
breaking my muscles,
the wind of the highlands
an ever-greater challenge
than the meandering creek

i pedal for simple sights:
the middle-aged blonde
with two matching goldens,
(sometimes leashed, sometimes free)
the bright yellow spot
of a SmartCar, and me
always wondering just where
on the curvacious beauty of
a road i will pass it,
the ever-silent deer
who peer intently at my machine
as they stand cautiously
at the edge of civilization.

and today? a gift,
the top of the most tenuous climb,
the wind bending back leaves
and straightening out flags,
pushing against my will,
when what should cross the road
but a lone pronghorn,
its native spirit leaping
over barbed wire and into
the chaparral, leaving me to
finish my ride, open up
a starvation-induced chocolate
whose wrapper reads,
You are exactly where
you’re supposed to be

(i don’t throw it away,
its aluminum words
imprinted on the crossroads
that may lead me elsewhere tomorrow)